Basic Information/Statistics
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Name: Sharon Anderson
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Age: 42
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Occupation: Politician
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Current Residence: Australia
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Birthplace: Wollongong
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Family: Married
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Physical Characteristics
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Height: 180cm
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Body Type: Tall & Thin
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Race: Australian
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Skin Colour: Caucasian
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Eye Colour: Brown
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Hair Colour: Blonde
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Distinguishing Features: N/A
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Dress/Clothing Style (Elegant, shabby): Dress,
Suit, High Heels
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Mannerisms:
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Hobbies: Swimming, Tennis
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Emotional/Intellectual/Mental
attributes:
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Ambitions:
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Strengths:
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Weaknesses:
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What motivates this character: Need for more,
not satisfied with what she has
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What frightens this character: Failure
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What is this characters goal: Have a large sum
of money
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Introvert or Extrovert: Extrovert
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Educational Background: Graduated private
school Sydney
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Character's short-term
goals in life: Be rich
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How does Character see himself/herself: Hard
working, resilient
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How does Character believe he/she is perceived
by others: Bad person, Robber
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Does the character seem ruled by emotion or
logic or some combination: Regret, Anger
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What would most embarass this character? Being
caught out for money fraud
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Best Characteristics: Great Debater &
negotiator
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Worst Characteristics: Need for more!
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Does the character have any prejudices: N/A
| |
The character is a corrupt politician who
steals a large sum of money from the Australian Parliament, she is caught out
and exploited all around the world in the news.
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Alex's Creative Media Blog
Monday, 16 February 2015
Character Profile:
Monday, 9 February 2015
Fairy God Father
-Close up on leather shoes
-Close up on smoke
-Close up on hair
-Close up gloves
-Close up on cane
-Close up on walking, shoes against gravel
-Close up of smoke
-Close up of walking with cane, gloves & cane
-Close up on smile
-Long Shot of character walking away
-Close up on smoke
-Close up on hair
-Close up gloves
-Close up on cane
-Close up on walking, shoes against gravel
-Close up of smoke
-Close up of walking with cane, gloves & cane
-Close up on smile
-Long Shot of character walking away
Fairy God Mother
-old
-sweet
-wise
-powerful
-helpful
-over exposure
-dream like
-darkness and then light
-sweet
-wise
-powerful
-helpful
-over exposure
-dream like
-darkness and then light
Crime Genre
-detetive
-killer
-knife
-gun
-screams
-bomb
-criminal
-blood
-hat
-magnifying glass
-portfolios
-suspect
-killer
-knife
-gun
-screams
-bomb
-criminal
-blood
-hat
-magnifying glass
-portfolios
-suspect
Evaluation
Using only visual evidence in the provided
sequence respond to the following:
|
What types of shots are used to
convey the intended message in this scene?
|
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-Lower angle shots are
used to make one of the men seem more powerful
-A angle shot is used
when he is going up the elevator, this is used to show that he is moving.
|
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How has framing been used to show or
hide information to the audience; refer to specific elements and information.
|
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-It doesn’t show us that
there is another person in the room when the first guy enters
|
|
Describe how
camera position has been used effectively? List some specific shots
|
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-The camera position
affects each shot
|
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What type of
camera movement takes place and how does it enhance or detract from the shot?
|
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-In the scene when the
two guys are fighting the camera is moving except for when you see them
fighting from a higher angle, it makes the viewer feel as if they’re standing
there and watching it.
|
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Does the
cinematographer make specific use of underexposure or overexposure to convey a message?
|
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-In the scene where
they’re fighting it is over exposed so that they will stand out, this also
makes one of their suits being black more obvious to see making him look more
powerful.
|
|
List
5 of the most important shots from your selected scene and describe the
following:
|
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Shot 1.
Focal point (does it shift or remain
constant)
|
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The focal point in
the building and it sets the scene showing that it is some sort of building
that contains either apartments or offices.
|
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Shot type
|
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This is a wide long
shot and this is used to show how large the building is.
|
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Framing/perspective
|
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It is framed so that
we only see the building and the car, which looks miniscule, which could be
showing that the man isn’t very important.
|
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Camera position/movement
|
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There is no movement
with this shot.
|
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Shot 2.
Focal point (does it shift or remain
constant)
|
|
The focal point is
the two men, the one who just walked in and isn’t aware that other man is in
the room as this is only shown to the viewer.
|
|
Shot type
|
|
Long shot
|
|
Framing/perspective
|
|
This is from the
perspective just behind James Bond; by showing his shoulder he could be the
more powerful or influential person in the room.
|
|
Camera position/movement
|
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This shot is quite
quick so there isn’t much movement.
|
|
Shot 3.
Focal point (does it shift or remain
constant)
|
|
The focal point is disorientated
with the screenshot but in the film it is the elevator because it is the only
thing moving and that’s what all of the lines are used to lead to the
elevator.
|
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Shot type
|
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Low angle shot
|
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Framing/perspective
|
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Shows that the man
has some sort of power or is visiting someone important because he’s going to
the top of the building.
|
|
Camera position/movement
|
|
This shot is quite
quick so there isn’t much movement.
|
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Shot 4.
Focal point (does it shift or remain
constant)
|
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The focal point is
the man’s face and this happens because of the use of over and under exposed
lighting with the lamp which shows half of the man’s face making it
mysterious.
|
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Shot type
|
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Long Angle Mid Shot
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Framing/perspective
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Perspective of James Bond.
|
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Camera position/movement
|
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This shot is quite
quick so there isn’t much movement.
|
|
Shot 5.
Focal point (does it shift or remain
constant)
|
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This shot is very
underexposed on the left hand side which could show that James Bond is
mysterious and the right hand side is lit with the man looking like he holds
the power in the situation but a few seconds after this the power is shifted.
|
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Shot type
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Wide Shot
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Framing/perspective
|
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Framed to show this
contrast of both the men.
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Camera position/movement
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This shot is quite
quick so there isn’t much movement.
|
Tuesday, 3 February 2015
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