Basic Information/Statistics
| |
Name: Sharon Anderson
|
Age: 42
|
Occupation: Politician
| |
Current Residence: Australia
| |
Birthplace: Wollongong
| |
Family: Married
| |
Physical Characteristics
| |
Height: 180cm
|
Body Type: Tall & Thin
|
Race: Australian
|
Skin Colour: Caucasian
|
Eye Colour: Brown
|
Hair Colour: Blonde
|
Distinguishing Features: N/A
| |
Dress/Clothing Style (Elegant, shabby): Dress,
Suit, High Heels
| |
Mannerisms:
| |
Hobbies: Swimming, Tennis
| |
Emotional/Intellectual/Mental
attributes:
| |
Ambitions:
| |
Strengths:
| |
Weaknesses:
| |
What motivates this character: Need for more,
not satisfied with what she has
| |
What frightens this character: Failure
| |
What is this characters goal: Have a large sum
of money
| |
Introvert or Extrovert: Extrovert
| |
Educational Background: Graduated private
school Sydney
| |
Character's short-term
goals in life: Be rich
| |
How does Character see himself/herself: Hard
working, resilient
| |
How does Character believe he/she is perceived
by others: Bad person, Robber
| |
Does the character seem ruled by emotion or
logic or some combination: Regret, Anger
| |
What would most embarass this character? Being
caught out for money fraud
| |
Best Characteristics: Great Debater &
negotiator
| |
Worst Characteristics: Need for more!
| |
Does the character have any prejudices: N/A
| |
The character is a corrupt politician who
steals a large sum of money from the Australian Parliament, she is caught out
and exploited all around the world in the news.
| |
Monday, 16 February 2015
Character Profile:
Monday, 9 February 2015
Fairy God Father
-Close up on leather shoes
-Close up on smoke
-Close up on hair
-Close up gloves
-Close up on cane
-Close up on walking, shoes against gravel
-Close up of smoke
-Close up of walking with cane, gloves & cane
-Close up on smile
-Long Shot of character walking away
-Close up on smoke
-Close up on hair
-Close up gloves
-Close up on cane
-Close up on walking, shoes against gravel
-Close up of smoke
-Close up of walking with cane, gloves & cane
-Close up on smile
-Long Shot of character walking away
Fairy God Mother
-old
-sweet
-wise
-powerful
-helpful
-over exposure
-dream like
-darkness and then light
-sweet
-wise
-powerful
-helpful
-over exposure
-dream like
-darkness and then light
Crime Genre
-detetive
-killer
-knife
-gun
-screams
-bomb
-criminal
-blood
-hat
-magnifying glass
-portfolios
-suspect
-killer
-knife
-gun
-screams
-bomb
-criminal
-blood
-hat
-magnifying glass
-portfolios
-suspect
Evaluation
Using only visual evidence in the provided
sequence respond to the following:
|
What types of shots are used to
convey the intended message in this scene?
|
|
-Lower angle shots are
used to make one of the men seem more powerful
-A angle shot is used
when he is going up the elevator, this is used to show that he is moving.
|
|
How has framing been used to show or
hide information to the audience; refer to specific elements and information.
|
|
-It doesn’t show us that
there is another person in the room when the first guy enters
|
|
Describe how
camera position has been used effectively? List some specific shots
|
|
-The camera position
affects each shot
|
|
What type of
camera movement takes place and how does it enhance or detract from the shot?
|
|
-In the scene when the
two guys are fighting the camera is moving except for when you see them
fighting from a higher angle, it makes the viewer feel as if they’re standing
there and watching it.
|
|
Does the
cinematographer make specific use of underexposure or overexposure to convey a message?
|
|
-In the scene where
they’re fighting it is over exposed so that they will stand out, this also
makes one of their suits being black more obvious to see making him look more
powerful.
|
|
List
5 of the most important shots from your selected scene and describe the
following:
|
|
Shot 1.
Focal point (does it shift or remain
constant)
|
|
The focal point in
the building and it sets the scene showing that it is some sort of building
that contains either apartments or offices.
|
|
Shot type
|
|
This is a wide long
shot and this is used to show how large the building is.
|
|
Framing/perspective
|
|
It is framed so that
we only see the building and the car, which looks miniscule, which could be
showing that the man isn’t very important.
|
|
Camera position/movement
|
|
There is no movement
with this shot.
|
|
Shot 2.
Focal point (does it shift or remain
constant)
|
|
The focal point is
the two men, the one who just walked in and isn’t aware that other man is in
the room as this is only shown to the viewer.
|
|
Shot type
|
|
Long shot
|
|
Framing/perspective
|
|
This is from the
perspective just behind James Bond; by showing his shoulder he could be the
more powerful or influential person in the room.
|
|
Camera position/movement
|
|
This shot is quite
quick so there isn’t much movement.
|
|
Shot 3.
Focal point (does it shift or remain
constant)
|
|
The focal point is disorientated
with the screenshot but in the film it is the elevator because it is the only
thing moving and that’s what all of the lines are used to lead to the
elevator.
|
|
Shot type
|
|
Low angle shot
|
|
Framing/perspective
|
|
Shows that the man
has some sort of power or is visiting someone important because he’s going to
the top of the building.
|
|
Camera position/movement
|
|
This shot is quite
quick so there isn’t much movement.
|
|
Shot 4.
Focal point (does it shift or remain
constant)
|
|
The focal point is
the man’s face and this happens because of the use of over and under exposed
lighting with the lamp which shows half of the man’s face making it
mysterious.
|
|
Shot type
|
|
Long Angle Mid Shot
|
|
Framing/perspective
|
|
Perspective of James Bond.
|
|
Camera position/movement
|
|
This shot is quite
quick so there isn’t much movement.
|
|
Shot 5.
Focal point (does it shift or remain
constant)
|
|
This shot is very
underexposed on the left hand side which could show that James Bond is
mysterious and the right hand side is lit with the man looking like he holds
the power in the situation but a few seconds after this the power is shifted.
|
|
Shot type
|
|
Wide Shot
|
|
Framing/perspective
|
|
Framed to show this
contrast of both the men.
|
|
Camera position/movement
|
|
This shot is quite
quick so there isn’t much movement.
|
Tuesday, 3 February 2015
Sunday, 1 February 2015
Mise-en-scene and Setting Evaluation:
Using only visual
evidence in the provided sequence respond to the following:
|
Briefly Describe the
Setting/Location and the type of activity/ies would usually take place in
this setting?
|
|
Location: Office
Activities: Working, using computer, writing, making phone calls, organising
papers
|
|
What props have been included in the setting to convey an
intended message or describe the activity/ies taking place?
|
|
Computer, paper, usb’s, newspapers, empty coffee cup, photo frames
|
|
What does the contrast (light
levels, difference between dark or bright areas) indicate about this setting?
|
|
The lighting gives the impression that it’s a sci fi movie and that the
character might not like being at work and this is also seen through the
style of acting with him missing his family.
|
|
What type of tones or colours are used within the setting;
pleasant, simple, cheery, bleak. (Also consider the lighting).
|
|
Dark colours are used on the man and on the office particularly black,
blue and grey but when he is looking through the videos brighter colours are
used and this is because this was probably a happier time in his life.
|
|
Describe the spaciousness of this
setting (Cramped or open/roomy).
|
|
Cramped and very busy setting this would be to show that he is feeling
this way in his mind as setting is usually shown to portray what someone is
thinking.
|
|
Describe the physical state (messy,
neat, formal).
|
|
The office is in a messy state with things displaced and in no real
order.
|
|
An office is used for people to do work and majority of the time in
film this can be portrayed in a negative way.
|
|
Describe the acting style of the characters within this setting?
|
|
The actor is sad in this scene as he feels like he is missing out on
his child growing up and being with his wife and this corroborates with the
colours and lighting that is used.
|
|
How does this setting contribute to the acting style and
character/s personality?
|
|
The setting helps very much as you can clearly see that he is a very
disorganised person and he might be confused at this point in his life and
this is shown through the setting.
|
|
From the
elements listed, describe the overall tone and potential genre of the film.
Justify your response with specific examples.
|
|
Science Fiction/ Action because of the style of acting and most definitely
the colours that are used which indicate that it’s a science fiction movie.
|
|
Explain
how mise-en-scene has been used to depict the type of character who might
inhabit the space. Use evidence to justify your response
|
|
A busy/ dark/ upset person as the lighting and costumes are very dark and
this helps explain the character in more depth and this subsequently helps portray
the story.
|
Friday, 7 November 2014
Reflection
My group didn’t have many issues during the
pre-production, as we all liked the song that we chose and were all extremely
excited to make a music video to it. We used to pre-production effectively and
we finished our planning really quickly so this gave us more time to shoot. The
first media lesson of term 4 we already knew which song we wanted to do as we
discussed it over the holidays and we did the planning e.g. shot list in our
time so that we could start as soon as possible. We used our time effectively
and this was great as we didn’t need to use any time outside of class to film
so we could use this time to edit, we finished all our shots in the class time
provided and everyone knew what they needed to do. We all had different
characters to play so everyone was responsible for knowing what they needed to
say and film. Compared to the previous film noir task I used my time a lot more
efficiently and also by having the planning finished by the 2nd
lesson and going straight into filming gave us a lot more time so that we
didn’t feel rushed.
Teamwork during
Production and Post-Production:
We decided who was going to be what
character and made sure that the same person being another character wasn’t in
the shot before or after so that there was a variety. Everyone in my group had
their own shot list to follow so we were all responsible for our own shots
which made things run a lot smoother because everyone knew what they had to do
and not worry about if someone had forgotten something or was away. We were all
very organised throughout this whole task, we were all present majority of
lessons, Tilly was away for a couple but always made sure that her shots were
completed before the date that we set so we could complete our editing. The
only issue that our group experienced was that one day we accidently used a G11
camera when we needed a G12 or larger because we were shooting on 1280 x 720,
this wasn’t a large set back but a couple of our shots were a bit rushed
because we needed to reshoot in the same lesson. We shot all our shots that
were included in the shot list.
Discuss your individual feelings about
the Music Video Task:
I’m happy with how the final music video
turned out but I feel the green screen doesn’t make the film look as good as it
could have. I wouldn’t change how the music video looks because it does look
how we pictured it from the beginning so we are all happy with the outcome. If
we could do the project again I would record more of the characters singing
instead of so many “bloopers” which was the look we were going for but maybe
with a couple more singing scenes it could have made it a bit more interesting.
It was most definitely easier to plan, film and edit this project than the
previous task as I just found working with the group I had this time was so
much easier to organise things with and also the reason why we didn’t feel
rushed was because we stayed organised the entire time of this project. The
treatment basically describes the final outcome, which shows that my group had
the same film playing their head the entire time. My blog was updated 3 times a
week so I think it adequately shows what my group has been doing for the past 5
weeks. I enjoyed this task a lot more than the previous one and hopefully we
can make another music video in the near future.
Thursday, 6 November 2014
Finished!
We have finally finished, I'm not quite sure how I feel about our music video as of yet. I like it but I feel we could've done better, It looks a bit ammature and it's possible that we could have done a better job. Hopefully it looks good enough to get a good grade. We tried to use visual messages but It was extremely hard so we didn't end up using any which will affect out grade. Majority of our shots are mid and they're placed out the same throughout the music video. This task was very quick as we didn't have very long to plan, shoot and edit but I am hoping that this is good enough.
Final cut Pro
To make our music video we used Final Cut Pro and here are some screenshots of how the film was made. As we used the green screen we needed to use the keyer to remove the green backdrop then replace it with one that we wanted. We then needed to change our colour so that it suited the background and looked more life like. Our files were sorted into different folders of the stars we were playing so that it would be easier to quickly follow the EDL then grab what videos we needed and place it into the film.
EDL
|
Production Title: Pop State of Mind
Director: Olivia, Alex, Portia, Tilly
|
Sequence/Scene Name:
Editor:
|
|||
|
File/Clip Name
|
Start Timecode
|
End Timecode
|
Shot Description
|
|
|
Shot 1
|
0:00
|
0:05
|
Title
|
|
|
Shot 2
|
0:05
|
0:07
|
Close up
|
|
|
Shot 3
|
0:07
|
0:09
|
Medium
|
|
|
Shot 4
|
0:09
|
0:10
|
Medium
|
|
|
Shot 5
|
0:10
|
0:11
|
Medium
|
|
|
Shot 6
|
0:11
|
0:13
|
Medium
|
|
|
Shot 7
|
0:13
|
0:14
|
Close up
|
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|
Shot 8
|
0:14
|
0:16
|
Medium
|
|
|
Shot 9
|
0:16
|
0:18
|
Medium
|
|
|
Shot 10
|
0:18
|
0:20
|
Medium
|
|
|
Shot 11
|
0:20
|
0:21
|
Medium
|
|
|
Shot 12
|
0:21
|
0:24
|
High, close up
|
|
|
Shot 13
|
0:24
|
0:25
|
Medium
|
|
|
Shot 14
|
0:25
|
0:26
|
Animation
|
|
|
Shot 15
|
0:26
|
0:27
|
Medium
|
|
|
Shot 16
|
0:27
|
0:28
|
Medium
|
|
|
Shot 17
|
0:28
|
0:29
|
Medium
|
|
|
Shot 18
|
0:29
|
0:30
|
Wide
|
|
|
Shot 19
|
0:30
|
0:33
|
Medium
|
|
|
Shot 20
|
0:33
|
0:34
|
Medium
|
|
|
Shot 21
|
0:34
|
0:35
|
Medium
|
|
|
Shot 22
|
0:35
|
0:36
|
Medium
|
|
|
Shot 23
|
0:36
|
0:37
|
Medium
|
|
|
Shot 24
|
0:37
|
0:38
|
Medium
|
|
Shot 25
|
0:38
|
0:39
|
Medium
|
|
Shot 26
|
0:39 0:40
|
Medium
|
|
|
Shot 27
|
0:40 0:41
|
Close up
|
|
|
Shot 28
|
0:41
|
0:42
|
Close up
|
|
Shot 29
|
0:42
|
0:46
|
Medium
|
|
Shot 30
|
0:46
|
0:47
|
Close up
|
|
Shot 31
|
0:47
|
0:49
|
Animation
|
|
Shot 32
|
0:49
|
0:50
|
Medium
|
|
Shot 33
|
0:50
|
0:51
|
Close up
|
|
Shot 34
|
0:51
|
0:52
|
Medium
|
|
Shot 35
|
0:52
|
0:52
|
Medium
|
|
Shot 36
|
0:52
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0:54
|
Medium
|
|
Shot 37
|
0:54
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0:55
|
Medium
|
|
Shot 38
|
0:55
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0:57
|
Medium
|
|
Shot 39
|
0:57
|
0:58
|
Medium
|
|
Shot 40
|
0:58
|
1:00
|
Low, medium
|
|
Shot 41
|
1:00
|
1:01
|
Close up
|
|
Shot 42
|
1:01
|
1:02
|
Close up
|
|
Shot 43
|
1:02
|
1:03
|
Wide
|
|
Shot 44
|
1:03
|
1:04
|
Animation
|
|
Shot 45
|
1:04
|
1:05
|
Medium
|
|
Shot 46
|
1:05
|
1:06
|
Medium
|
|
Shot 47
|
1:06
|
1:08
|
Medium
|
|
Shot 48
|
1:08
|
1:11
|
Wide
|
|
Shot 49
|
1:11
|
1:14
|
Medium
|
|
Shot 50
|
1:14
|
1:17
|
Wide
|
|
Shot 51
|
1:17
|
1:18
|
Close up
|
|
Shot 52
|
1:18
|
1:20
|
Wide
|
|
Shot 53
|
1:20
|
1:22
|
Animation
|
|
Shot 54
|
1:22
|
1:24
|
Wide
|
|
Shot 55
|
1:24
|
1:25
|
Medium
|
|
Shot 56
|
1:25
|
1:27
|
Medium
|
|
Shot 57
|
1:27
|
1:28
|
Medium
|
|
Shot 58
|
1:28
|
1:29
|
Medium
|
|
Shot 59
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1:29
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1:31
|
Medium
|
|
Shot 60
|
1:31
|
1:34
|
Medium
|
|
Shot 61
|
1:34
|
1:35
|
Close up
|
|
Shot 62
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1:35
|
1:36
|
Close up
|
|
Shot 63
|
1:36
|
1:38
|
Close up
|
|
Shot 64
|
1:38
|
1:38
|
Close up
|
|
Shot 65
|
1:38
|
1:39
|
Medium
|
|
Shot 66
|
1:39
|
1:41
|
Medium
|
|
Shot 67
|
1:41
|
1:42
|
Medium
|
|
Shot 68
|
1:42 1:44
|
Medium
|
|
|
Shot 69
|
1:44
|
1:46
|
Close up
|
|
Shot 70
|
1:46
|
1:48
|
Medium
|
|
Shot 71
|
1:48
|
1:49
|
Close up
|
|
Shot 72
|
1:49
|
1:50
|
Medium
|
|
Shot 73
|
1:50
|
1:55
|
Medium
|
|
Shot 74
|
1:55
|
1:57
|
Medium
|
|
Shot 75
|
1:57
|
1:59
|
Medium
|
|
Shot 76
|
1:59
|
2:00
|
Medium
|
|
Shot 77
|
2:00
|
2:01
|
Medium
|
|
Shot 78
|
2:01
|
2:02
|
Close up
|
|
Shot 79
|
2:02
|
2:03
|
Medium
|
|
Shot 80
|
2:03
|
2:04
|
Medium
|
|
Shot 81
|
2:04
|
2:06
|
Medium
|
|
Shot 82
|
2:06
|
2:07
|
Medium
|
|
Shot 83
|
2:07
|
2:08
|
Medium
|
|
Shot 84
|
2:08
|
2:10
|
Medium
|
|
Shot 85
|
2:10
|
2:11
|
Close up
|
|
Shot 86
|
2:11
|
2:12
|
Medium
|
|
Shot 87
|
2:12
|
2:13
|
Medium
|
|
Shot 88
|
2:13
|
2:15
|
Medium
|
|
Shot 89
|
2:15
|
2:17
|
Medium
|
|
Shot 90
|
2:17
|
2:20
|
Wide
|
|
Shot 91
|
2:20
|
2:22
|
Medium
|
|
Shot 92
|
2:22
|
2:23
|
Close up
|
|
Shot 93
|
2:23
|
2:25
|
Wide
|
|
Shot 94
|
2:25
|
2:26
|
Wide
|
|
Shot 95
|
2:26
|
2:28
|
Medium
|
|
Shot 96
|
2:28
|
2:29
|
Medium
|
|
Shot 97
|
2:29
|
2:31
|
Medium
|
|
Shot 98
|
2:31
|
2:33
|
Medium
|
|
Shot 99
|
2:33
|
2:34
|
Medium
|
|
Shot 100
|
2:34
|
2:35
|
Close up
|
|
Shot 101
|
2:35
|
2:36
|
Close up
|
|
Shot 102
|
2:36
|
2:40
|
Close up
|
|
Shot 103
|
2:40
|
2:42
|
Medium
|
|
Shot 104
|
2:42
|
2:43
|
Medium
|
|
Shot 105
|
2:43
|
2:45
|
Medium
|
|
Shot 106
|
2:45
|
2:46
|
Close up
|
|
Shot 107
|
2:46
|
2:47
|
Medium
|
|
Shot 108
|
2:47
|
2:48
|
Close up
|
|
Shot 109
|
2:48
|
2:49
|
Medium
|
|
Shot 110
|
2:49
|
2:53
|
Medium
|
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